Zero-G Racetrack – Never Ride Alone
We’re kicking off Episode 92 with a little electro-western from my band, Zero-G Racetrack – for this track, we smashed cinematic Western storytelling with synth-driven electronic rock, using spaghetti-western guitar and an outlaw narrative to create something that sits somewhere between a country ghost story and a modern dance-rock track.
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Them Guns – Devil’s Eye
Them Guns are a Los Angeles-based rock band founded by Navarone Garibaldi, son of Priscilla Presley and stepson of Elvis Presley. Garibaldi formed the band in 2013, initially working with keyboardist Kyle Hamood before assembling the rest of the lineup. ‘Devil’s Eye’ predates Them Guns’ 2019 debut album From the Shadows, making it a good example of the guitar-driven rock that established the band before their full-length release.
Girl Like That – Honey Trap
Girl Like That formed at Oxford University in February 2024, – Fronted by singer-songwriter Lucy Peer, the band mixes grunge, alternative rock, big pop hooks, and synth-driven production. The band’s debut album, Medicine Box, is pretty great, with “Honey Trap” appearing as the sixth track.
Fukushima Dolphin – Space Lift
Fukushima Dolphin are a Brighton, UK duo made up of founder, singer, guitarist and songwriter Josh Butler and drummer Alex. They originally formed as a five-piece and released their debut album Deep Sea Lemonade in 2018 before downzizing into the current duo. Released in February of 2026, “Space Lift” has this fantastic psychedelic slide guitar that actually sounds like dolphins – it’s super surreal, and super cool.
Lord Sonny the Unifier – Ain’t Nobody Listening
Lord Sonny the Unifier is a Brooklyn-based alternative rock project led by Gregory Jiritano, whose music draws heavily from the psychedelic, hard-rock, punk, and experimental sounds of the late ’60s and ’70s. After a studio fire destroyed his equipment and an unfinished album in 2015, he rebuilt and formed Lord Sonny the Unifier with Carmine Covelli, Tyler Wood, and Derek Nievergelt. For their fifth appearance on the show I’m bringing you their latest 2026 release ‘Ain’t Nobody Listening’.
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Bite The Bullet – I’ll Be Fine If You Feel Okay
Z-GR! Radio Bite The Bullet are a Dutch psychedelic hard-rock trio featuring Thomas Christiansen (vocals), Christian Norup (bass and synth), and Paw Eriksen (guitar and multi-instrumental). The band has been playing together since 2012 and has built a strong reputation as a live act across Europe. “I’ll Be Fine If You Feel Okay” is the fourth track on their 2025 EP The Last Rave.
Alexa Villa is back for her 10th appearance on Z-GR! Radio – it has been a minute, though and I decided to dig through her back catalog looking for some cool and found it – 2020’s Invisible deals with escaping an unhealthy relationship and reaching the point where someone who once had power over you has become, “practically invisible.” The track was also featured in the Showtime limited series The Comey Rule.
Brave Rival – Five Years On
JJ Lovegrove – Punch
A few months back, I spoke with JJ Lovegrove about her latest release, ‘History Is the Struggle of Becoming’ – to start, the album is a deeply moving, deeply personal account from JJ – it truly is an emotionally compelling piece of art, and is well worth taking the time to plug in for – a few months back, I sent over a long list of questions for her to answer, she did and you can find a link to the article at zgrradio.com.
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The Wildflower Collective, The – Mirrorvine
The Wildflower Collective is an indie-folk recording project whose releases are issued through Aurora Music, with Mia Kuja credited in multiple creative roles – I first had the Collective on the show for episode 25, and their latest, Mirrorvine, marks their fourth appearance on Z-GR! Radio.
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Oceans of Slumber – Nights in White Satin
This week’s cover was recorded by The Moody Blues in 1967 on the Days of Future Passed album – “Nights in White Satin.” initially only reached #103 on the US Billboard chart, but when the track was re-released in 1972, it blew up, reaching #2 in US, #1 in Canada and #9 in the UK, and was inducted into the Grammy Hall of Fame in 1999.
Fifty years after the reissue, Houston’s prog-metal band Oceans of Slumber took the melancholy masterpiece somewhere much darker, transforming it into a haunting progressive-metal epic.
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